Short Fiction Needs a Platform

In an earlier post, “Short Fiction Decline“, I point out Neil Clarke’s post on the decline of short fiction publication readership. He remains optimistic due to some new online publications showing promise. A recent post, “More Crappy News for Short Story Writers” by Seth Fischer starts a discussion on short story collections including a response by one story blog, and a post by Larry Dark. Please take a look at these posts including the informative comments on Fischer’s post.

Some points brought up in the discussion:

  1. Novels get more promotion.
  2. Book publishers avoid short fiction.
  3. Some short fiction sells.
  4. Competition with instant access media.
  5. Consumers today have shorter attention spans (??)
  6. Some readers want immersion with long stories.
  7. Traditional books may not be the best place for short fiction.

I noted #5 as a question because of the debate in the comments under Fischer’s post: Does short fiction benefit? One comment points out that short stories may require more dedication by the reader. Do readers have short attention spans? Not avid readers.

For the average consumer, finding short fiction is a challenge. Large book chains no longer carry literary magazines leaving a consumer searching through small independent book stores gazing at a limited supply. Publishers and retail stores promote novels. Dark points out that some story collections sell very well. Short fiction sells when promoted.

Perhaps consumers have grown a taste for novels finding short stories more difficult to enjoy. They want immersion.  Reading short fiction is not the same as reading a novel. And when curious consumers try a few short stories, they find boring literary prose, some incomplete stories without a beginning or ending. Or the reader finds a genre magazine full of poorly written stories. Searching for online publications may results in ugly websites with bizarre text colors making reading a chore. So, many readers stick to short stories written by familiar authors like Stephen King. And big book publishers cringe at the idea of a short story collection.

Short fiction needs a platform. If publications want to survive in this world full of noise they need to be part of the community with their readers. Help readers find the stories they want to read. Share knowledge by taking part in other communities. Design beautiful websites with easy navigation. And promote good writers.

Writers need to join the community, work with publications, improve their skills. Write fantastic short stories.

Short Fiction Decline

Short fiction readership is in decline. Like many periodicals, short fiction publications face distribution issues, fight for tighter shelf space, and compete with other media. Collections of short stories compete with novels. The traditional newspaper is extinct, and magazines follow close behind. In order for short fiction to survive, it needs to change with the times.

Neil Clarke of Clarkesworld charts the decline in readership of short fiction magazines. Even though several magazines have ended, Clarke points out that a few new launches are attracting attention including Tor.com. Print magazines face distribution issues, and need to change in order to survive. Over at iRoSF, talk of declining short fiction readership includes discussions about if the short fiction market is supported primarily by the writers themselves. Other new publications have opened up including a few in the Twitter micro-fiction market.

Noise is a problem. So much competes for readers attention including social media such as Facebook, YouTube, and blogs. Kristine Kathryn Rusch in “What’s Louder than Noise?” points out the difficulty of authors getting noticed, including established authors. Rusch claims that the great American novel is now an impossibility. Michael Hyatt points out in “The Importance of Building Your Platform” that new published books grew in last year competing for the same shelf space* along with more media competing for attention.

Short story delivery changes over time. Before the printing press, people shared stories orally using poetry to help remember the telling. Plays make room for movies. Newspapers move online delivering news faster and cheaper. Technology changes entertainment moving stories onto paper and into new media. We now have digital book readers using technology like electronic paper displays. Michael Miner of Chicago Reader reports on Dan Sinker’s idea of delivering short stories to cell phones via CellStories.net. Many read news articles while at the coffee shop. Why not fiction? Last year, Stephen King and Marvel teamed up to produce a graphic adaption of a short story. Or on a lower budget, some magazines such as Weird Tales show interest in video flash fiction. Storybird encourages users to collaborate using story and art to produce works that others can view or play with like a toy. Stories in video games grow more complex each year, including interactive stories. What new story sharing methods await us?

We still have plays, we have paper books, and we continue to tell stories orally. We also have new means to enjoy our stories, keep our stories, and share our stories. And that’s the way we want it. Both authors and publications need to build their platforms, survive the noise. Short fiction publication must change.

*Here “shelf space” refers to total outlets including “On Demand” besides traditional published books. Bowker reports on US book distribution for last year showing traditional books declined.

Linguist and Reading Comprehension

Geoffrey K. Pullum’s essay, “50 Years of Stupid Grammar Advice“, offers criticism for The Elements of Style with some humor. Pullum points his finger at the authors claiming they are responsible for degrading American students’ grasp of English grammar. Instead of supporting this claim with evidence, he spends the majority of the essay with false accusations based on poor comprehension.

The Elements of Style, by Strunk and White is a reference guide about improving writing. The guide contains advice and lessons about grammar, but it is not a textbook on grammar. The rules presented are not inflexible. Reminding novice writers of common mistakes is the primary goal.

Pullum’s essay makes a curious claim:

Since today it provides just about all of the grammar instruction most Americans ever get, that is something of a tragedy.

How did Pullum arrive at this conclusion? He provides an example from personal experience, but offers no evidence. Perhaps some students use the reference guide as their sole source of grammar instruction, but the majority?

Where Pullum fails is in his misinterpretation of the text. Part of his evidence is the claim that Strunk and White do not understand passive construction. He points out errors in the section titled, “Use the active voice.” He claims that three of the four examples given are mistakes, that three of the examples are not passive such as:

“There were a great number of dead leaves lying on the ground” has no sign of the passive in it anywhere.

Nowhere in the text do the authors claim this example is in the passive voice. The section never implies that all of the examples given are in the passive voice. The examples illustrate making a sentence stronger as noted in the text with the alternate version, “Dead leaves covered the ground.” The paragraph in The Elements of Style before these examples makes clear the intention:

The habitual use of the active voice, however, makes for forcible writing. This is true not only in narrative concerned principally with action but in writing of any kind. Many a tame sentence of description or exposition can be made lively or emphatic by substituting a transitive in the active voice for some such perfunctory expression as there is or could be heard.

And the text after the examples:

Note, in the examples above, that when a sentence is made stronger, it usually becomes shorter. Thus, brevity is a by-product of vigor.

The authors know the difference between the active voice and the passive voice.  It is up to the reader to read and understand the entire section. Perhaps the section could be more clear, but careful reading shows that Pullum’s assertion that the examples are in error is false. Each example shows a sentence made stronger.

Pullum defends his conclusion with this statement:

The only clauses that are not active are the passive clauses: “active” and “passive” are antonyms. Putting those four sentences (one of which is genuinely a passive) in a section that opens by attacking (illicitly) the use of the passive voice, and recommending that they be replaced by active equivalents, is equivalent to saying that they are passives.

This is an example of poor logic (not equivalent*, and again read and understand the entire passage.) Flawed logic leads to poor comprehension.

In another response, Pullum concedes that maybe Strunk and White understand the difference between passive and active, but maintains that the text makes it look like all the examples are in the passive voice. In a later response on the same page, he mentions that he cites evidence supporting his claims. But his essay lacks evidence supporting the claim that Elements “provides just about all of the grammar instruction most Americans ever get.”

Pullum asks us to try the following:

These examples can be found all over the Web in study guides for freshman composition classes. (Try a Google search on “great number of dead leaves lying.”)

A Google search including quotes without a period reported 358 results (70 without duplicates; skip to last page to find actual result count.) Ignoring all the links to Pullum’s essay and other blogs about it, a number of sources stated that the sentence is not passive. A few results showed a misunderstanding including a science course, a computer course, and a blog. A source showing understanding. Minnesota State made the mistake. Of the resulting sources aimed at English or writing students, 3 made the mistake and 6 correctly identified the sentence. Pullum has a point. Some readers do not understand what they read including Pullum. Considering the results revealed very few study guides for freshmen composition, this evidence is weak.

Another curious statement by Pullum:

Some of the claims about syntax are plainly false despite being respected by the authors. For example, Chapter IV, in an unnecessary piece of bossiness, says that the split infinitive “should be avoided unless the writer wishes to place unusual stress on the adverb.” The bossiness is unnecessary because the split infinitive has always been grammatical and does not need to be avoided.

Again, the authors make no claim about grammatical correctness. The text advises on style, and states in Chapter V (referenced from Chapter IV) that using the split infinitive is “a matter of ear.” Strunk and White want writers to think about and improve their writing.

Near the end of the piece, Pullum makes this claim:

Consider the explicit instruction: “With none, use the singular verb when the word means ‘no one’ or ‘not one.’”

Pullum cites counterexamples including Dracula and The Importance of Being Ernest. The counterexamples are valid only if instruction is truly explicit. Within the introduction of The Elements of Style, White states that style rules are a “matter of individual preference,” “established rules of grammar are open to challenge,” and “unless he is certain of doing well, he will probably do best by following the rules.” And throughout the text, White reiterates that the rules are not inflexible. Pullum’s statement is false and his evidence, irrelevant, apparent to anyone with basic comprehension.

Pullum’s response to criticism shows a lack of professionalism by attacking his critics, however much of it may be in jest considering the source of criticism.

I agree with Pullum that The Elements of Style should not be the sole resource for learning grammar, but grammar instruction is not the intent of the book. Is it responsible for degrading grammar in America? Pullum does not offer any evidence.

When I read an essay (or blog) from a linguist, I expect a well written piece based on solid comprehension citing strong evidence. (I don’t expect basic logic.) Do I ask too much?

Read and understand.

Other responses to the essay:

Athens & Jerusalem
NPR
Grammar Girl
Orange Crate Art includes a response from Pullum and again here.
Another from Orange Crate Art
Ask Nicola contains a response from Pullum.
Overcoming Bias
Daily Writing Tips

*Pullum tries to argue using a binary system (passive vs active) based on the section starting with an example of the passive voice. For a definition, see An Introduction to Analysis Third Edition by Wade, page 590. There are other ways to show this false including a counterexample found within the text itself.

Alternative Reading Tech

I enjoy reading from a traditional book, but I sometimes use digital media for traveling light, quick reference, or text searching. A digital reader is my preference for magazines and journals. Less paper. In conjunction with a textbook, a digital copy allows text search and quick reference. The book is still a great reading technology, and completely wireless.

Digital readers should meet the following goals: organize texts, portability, text search, and easy reading. Other benefits include multiple bookmarking and personal annotations. Below I list a few digital readers and organizers.

Stanza on iPod

Stanza on iPod

Stanza by Lexcycle is a reader for the iPhone and iPod Touch. Select titles by list or cover flow. Organize selections by title, author, subject, and recent reads. Supports multiple bookmarking, adjustable font, and zoom by pinch. Search for titles online from ebook services. The optional desktop tool allows the user to add selections from existing collections or export to Kindle. Stanza is free from the iTunes App store.

Amazon Kindle 2 is a wireless tablet reader supporting bookmarking, text search, and annotations without the need for a computer. It uses EVDO network (a data network used by some cell phones) covered by the original purchase price. A grayscale screen, but try Kindle for iPhone to enjoy color. The Kindle 2 price is equivalent to over forty paperbacks.

Zinio is a reader for digital magazines. The interface includes page turning animations and allows embedded media and hyperlinks. Magazines maintain their look including ads. A few magazines, such as PC Magazine, now only deliver in digital format. With a 22 inch monitor, many magazines end up life-size allowing full page reading. Supports text search, annotations, and reading your library on the road with an iPhone.

Papers for Mac, iPhone, and iPod touch is a PDF organizational tool aimed at those with hundreds or even thousands of PDF documents. Organizes by author, journal, title, or user created categories. The current version (1.9) lacks text searching, but includes annotated notes and keywords for search. Besides keeping organized, Papers aids in locating research papers through online repositories such as Google Scholar, Citeseer, PubMed, ACM, ADS, and IEEE Xplore. Papers is best suited for researchers, students, and anyone that regularly refers to many PDF documents. Casual readers may prefer Stanza or Kindle.

Need more to read? Project Gutenberg is a volunteer effort providing free ebooks of titles with copyright clearance including many classics.